RYAN o'DOHERTY
Ryan OâDoherty is on the rise. He features in the highly anticipated Amy Winehouse biopic âBack to Blackâ. Itâs the kind of success that some actors spend their whole career chasing, but Ryan has a completely different take, âI just want to contribute something positive to the world. If Iâm honest, I donât always know what that looks like, but I know that being authentic and having good intentions is usually always a good place to start.âÂ
This fluid outlook on success should come as no surprise given the young actorâs equally malleable approach to creativity. On any given day, Ryan can be found capturing his surroundings with his trusty, matte black Fujifilm camera or purposefully pacing the stage in front of a captivated audience. Today, his canvas is The Old School Studio in Stepney Green, wearing Aubinâs Spring collection, aptly titled âThe Makersâ. In his words, the âmedium doesnât really matter, itâs all about the personal connection⌠the stories, my grandfather is an incredible story teller, and thatâs where it beganâ.Â
âI donât think acting is the art of pretending, itâs the art of revealing. Of walking a mile in another persons shoes, it allowed me to broaden my perspective beyond my own experiences. It can bring people together and teaches me something new every timeâÂ
âFor me, itâs a need to serve a higher purpose and a search for something human. Itâs empathy. Though, really, I feel like itâs a mystery, thereâs no one way to do it. Every time itâs different and every project requires a new approach so Iâm still figuring it out and Iâm comfortable not knowing all the answersâ Â
In a year that has seen him play Cassio in the award nominated run of Shakespeareâs tragedy, Othello at the Riverside Studios and Amy Winehouseâs former boyfriend Chris Taylor, Aubinâs tagline of âModern British design, inspired by the past, living in the presentâ couldnât be more fitting. âThe beauty of stories is that they donât have an expiration date. Theyâre a window into the past, but they also shape much of our present. Younger people may think that words like âvexedâ or âswaggerâ are slang because theyâve heard it used in Grime, Rap and Hip Hop, but it was Shakespeare. Whereas with Amy, you donât have to squint so hard to see the impact of her artistry, itâs as clear as day.âÂ
âJust take a walk through Camden and youâll see murals, memorials, and street performers inspired to keep her alive. Iâd compare the imprint sheâs left on our society to someone like James Dean. She was a cultural icon and it was a privilege to be a part of the telling of her story with an incredible team of film makers.â he says with a cheeky chuckle.Â
Films like Rye Lane, Boiling Point, and All of Us Strangers, have seen London reintroduced to global audiences with a charm and authenticity that the silver screen has noticeably lacked in the big-budget, blockbuster era of the 2010s. Â
âI think The pandemic has a lot to do with this,â he says. âWhen productions were shut down, audiences turned to the independent scene for something new, and we delivered. The British music, theatre, film, and TV industry is incredibly resilient, and we thrive when our backs are up against the wall in many ways.â Â
With the dust having settled from the pandemic, Ryan is optimistic that the best is yet to come from the British creative industry. âBritish identity has evolved to become so diverse. Whether itâs someone with Celtic ancestry like me, or something else, weâre all bringing something different to British identity. These differences are manifesting in the art that is beautifully emerging from our shores. Iâm excited for whatâs to comeâ.Â
Follow @ryanodoherty_ on Instagram to find out more about his work.
